November 9, 2019 –February 17, 2020
Alberta women artists responded to the 1980s with rebellion, provocation and activism. This exhibition reveals the shifting mores of the most tumultuous era in Alberta’s history and includes work by the most influential Alberta artists of the 1980s who continue to shape Canadian art. These artists pushed boundaries with their methods of working, their subject matter, and by expanding the ways in which one could be an artist. Utilizing a range of tactics from satire and humour to social critique these artists exposed and worked against established artistic and societal conventions alike. Don’t miss this exhibition featuring the works of strong Alberta women artists of the 1980s, who significantly contributed to the contemporary landscape of Alberta art.
Organized by the Art Gallery of Alberta. Curated by Lindsey Sharman. Supported by artist patrons Maggie & John Mitchell, Bonnie Abel, Marianne & Allan Scott, Annika Nordhagen & James Wolfli, Marcia & Willem Langenberg, and Edward Stidworthy Johnson.
Sandra Bromley, Catherine Burgess, Isla Burns, Joane Cardinal Schubert, RCA, Vera Gartley, Alexandra Haeseker, RCA, Joice M. Hall, Faye HeavyShield, Liz Ingram, Mary Joyce, Toyo Kawamura, Jane Kidd, Lylian Klimek, Pauline McGeorge, Rita McKeough, Katie Ohe, Lyndal Osborne, Jane Ash Poitras, CM RCA, Teresa Posyniak, Mary Scott, Arlene Stamp, Leila Sujir, Carroll Taylor-Lindoe, Wendy Toogood
Lindsey V. Sharman is Curator of the Art Gallery of Alberta. She has studied Art History and Curating in Canada, England, Switzerland and Austria, earning degrees from the University of Saskatchewan and the University of the Arts, Zurich. From 2012-2018 she was the first curator of the Founders’ Gallery at the Military Museums in Calgary, an academic appointment through the University of Calgary. Her primary area of research is politically and socially engaged art practice. Curatorial projects of note include TRENCH, a durational performance by Adrian Stimson; Felled Trees, an exhibition deconstructing national identity at Canada House, London; Gassed Redux by Adad Hannah; and the nationally touring retrospective The Writing on the Wall: Works of Dr. Joane Cardinal Schubert